How do you tell an impossible story, one that is almost too big to contain in a single book?

In Tracker, Alexis Wright tells the story of charismatic Aboriginal Australian leader Tracker Tilmouth, who died in Darwin in 2015 at the age of 62. Taken from his family as a child and brought up in a mission on Croker Island, Tracker worked tirelessly for Aboriginal self-determination, creating opportunities for land use and economic development in his many roles, including Director of the Central Land Council of the Northern Territory.

Tracker was a visionary and a strategist renowned for his irreverent humor and his determination to tell things the way he saw them. Having known him for many years, Alexis Wright interviewed Tracker, along with family, friends, colleagues, and the politicians he influenced, weaving their stories together in a manner reminiscent of Nobel Prize–winner Svetlana Alexievich’s Secondhand Time. The book is as much a testament to the powerful role played by storytelling in contemporary Aboriginal life as it is to the legacy of an extraordinary man.

WINNER OF THE MILES FRANKLIN AWARD

Carpentaria is an epic of the Gulf Country of northwestern Queensland, Australia. Its portrait of life in the precariously settled coastal town of Desperance centers on the powerful Phantom family, leader of the Westend Pricklebush people, and its battles with old Joseph Midnight’s renegade Eastend mob, on the one hand, and with the white officials of Uptown and the nearby rapacious, ecologically disastrous Gurfurrit mine on the other. Wright’s masterful novel teems with extraordinary characters—the outcast savior Elias Smith, the religious zealot Mozzie Fishman, the murderous mayor Bruiser, the moth-ridden Captain Nicoli Finn, the activist Will Phantom, and above all, the rulers of the family, the queen of the garbage dump and the fish-embalming king of time: Angel Day and Normal Phantom—who stand like giants in a storm-swept world.

Wright’s storytelling is operatic and surreal: a blend of myth and scripture, politics and farce. She has a narrative gift of remaking reality itself, altering along her way, as if casually, the perception of what a novel can do with the inside of the reader’s mind. Carpentaria is “an epic, exhilarating, unsettling novel” (Wall Street Journal) that is not to be missed.

WINNER OF THE 2024 MILES FRANKLIN AWARD

WINNER OF THE 2024 STELLA PRIZE

WINNER OF THE 2024 JAMES TAIT BLACK PRIZE

WINNER OF THE 2023 QUEENSLAND AWARD FOR LITERARY FICTION

SHORTLISTED FOR THE 2024 DUBLIN LITERARY AWARD

In a small town in the north of Australia, a mysterious haze cloud heralds both an ecological catastrophe and a gathering of the ancestors. A visionary on his own holy quest, Cause Man Steel seeks the perfect platinum donkey to launch an Aboriginal-owned donkey transport industry, saving Country and the world from fossil fuels. His wife, Dance, seeking solace from his madness, studies butterflies and moths and dreams of repatriating her family to China. One of their sons, named Aboriginal Sovereignty, is determined to end it all by walking into the sea. Their other child, Tommyhawk, wants nothing more than to be adopted by Australia’s most powerful white woman. Praiseworthy is an epic masterpiece that bends time and reality—a cry of outrage against oppression, greed, and assimilation.