A young Vietnamese woman living in Paris travels back to Saigon for her estranged mother’s funeral. Her brother had recently built a new house in Saigon, including what was rumored to be the first elevator in a private home in the country, but days after moving in, their mother mysteriously fell down the elevator shaft, dying in an instant.

After the funeral, the daughter becomes increasingly fascinated with her family’s history and learns of an enigmatic figure, Paul Polotsky, from her mother’s notebook. Like an amateur sleuth, she trails Polotsky through the streets of Paris. Meanwhile, she tries to find clues about her mother’s past, which zigzags through Hà Nội, Sài Gòn, Paris, Pyongyang, and Seoul. Combining elements of the detective thriller, a historical romance, and the immigrant experience, Elevator in Sài Gòn is a scathing satire of life in a communist state and a heartbreaking postcolonial ghost story.

WINNER OF THE 2023 NATIONAL TRANSLATION AWARD IN PROSE

An abandoned package is discovered in the Paris Metro: the subway workers suspect it’s a terrorist bomb. A Vietnamese woman sitting nearby, her son asleep on her shoulder, waits and begins to reflect on her life, from her constrained childhood in communist Hanoi, to a long period of study in Leningrad during the Gorbachev period, and finally to the Parisian suburbs where she now teaches English. Through everything runs her passion for Thuy, the father of her son, a writer who lives in Saigon’s Chinatown, and who, with the shadow of the China-Vietnam border war falling darkly between them, she has not seen for eleven years.

Through her breathless, vertiginous, and deeply moving monologue from beside the subway tracks, the narrator attempts to once and for all face the past and exorcize the passion that haunts her.