She is fond of jump cuts and scenes that dissolve mid-paragraph and flow into the next without so much as a line break. A pleasant vertigo sets in. Objects have a way of suddenly appearing in the hands of characters. Faces become increasingly vivid and grotesque. Nothing feels fixed; everything in the book might be a hallucination.
— Parul Sehgal, The New York Times Book Review
From the award-winning author of The Hole and The Factory, a collection of strange and wonderful tales of humans, animals, and plants
Crabs scurrying over a landfill. Huge tadpoles writhing in a pond. A gecko stuck to the window. A sudden invasion of ants. Nature mysteriously creeps in and overruns the realm of humans in this stunning collection of stories.
Hiroko Oyamada masterfully conveys the sense that seemingly stable and ordinary people are cracking at the edges, that a surreal encounter with an animal can change the entire course of one’s life, that an obscure local ritual can have profound consequences. In these fifteen stories we find young couples navigating pregnancies, toddlers, and in-laws; men and women returning to their childhood homes to rediscover the enigmatic traditions they’d left behind; and children who plumb dreamlike riddles in the natural world.
She is fond of jump cuts and scenes that dissolve mid-paragraph and flow into the next without so much as a line break. A pleasant vertigo sets in. Objects have a way of suddenly appearing in the hands of characters. Faces become increasingly vivid and grotesque. Nothing feels fixed; everything in the book might be a hallucination.
— Parul Sehgal, The New York Times Book Review
"The Factory, The Hole, and Weasels in the Attic flicker between mirage and deadpan realism, and lurk in the imagination like a haunting."
— Nathaniel Rich, The New York Review of Books
It takes a writer of great talent to mold the banality of the everyday into the stuff of art, and to build an entire world around a metaphor other writers might quickly deploy and cast aside, but Oyamada is in complete control of her talent.
